
Feb19
Wordless Wednesday


Recently I’ve found on YouTube a video I hadn’t expected. It turned out to be abstract by watercolor videos by Millie Gift Smith. Now you’re probably saying…..big deal! But before I realized she was using watercolor, I thought she was starting with a few strokes of w/c to get a few lights into her work, and adding acrylic…paint, and ink later. After watching several of her demos, I realized that primarily everything is on 140# Arches Watercolor paper.
Since I painted with watercolor for years, and all my early lessons were from w/c teachers, I was fascinated at Millie’s abstract style with only paper and w/c. I’ve struggled for years to loosen up, and let everything go. Watercolors to me became to slow, to dry, to perfect, and too much care had to be taken not to blend the wrong colors. All my teachers were Purists, and so that’s what I learned to do. I wouldn’t dare cross over the purest line! Those early teachings are what I struggle to overcome today each time I pick up a brush!
Since I’m pretty much a nonconformist, I could only take “the rules of WaterColor for so long!” Longer than even I could imagine, but I kept hanging in there, trying to find new ways of speeding up the drying time on a painting that was too large to put into the clothes dryer on a shelf. Eventually I got to the point where experimentation brought me to acrylics and oils, but mostly acrylics. I love to push the boundaries, try new ideas, use untraditional items in my creativity process.
I bring Millie’s Series II to you because all the time I was watching, my mind kept going to Acrylic Inks. They are transparent, dry faster than w/c and since fun is the name of the game, that’s my next thing to work on and try. Actually since I have boxes of w/c paints, I sometimes mix the pure pigment with a medium to use them up. That works also!
I hope you too will find some interesting new things to try by watching Millie, and maybe your muse will visit with even more ways to twist and turn your creative energy. Good luck, and let me know how this artist has pushed you into creating something new and fresh. Something maybe you hadn’t thought of, or haven’t had the courage to try. Just remember….it’s all good…the worst that can happen, is you Gesso over all of it and start fresh.
I have never believed in mistakes, and have always thought them instead to be learning experiences. I also don’t believe in throwing away what I consider my bad art! To an artist, we all question our own work, that’s healthy, and another opportunity to learn more. Having a few people in a group to critique one another is also a huge advantage. Sometimes the most obvious fixes to one of my pieces is someone on our critique group who is an artist who works in a different medium. She had a really good eye for color, and balance even though she doesn’t paint.
What one would call a mistake, I would consider an opportunity to be more creative!

To all my wonderfully loving, caring, and supportive family and friends. I wish for you much love and peace. To My sweet husband less, “YOU put music in my heart!”
As we are in the beginning of a new year, I know we will be discussing the end of this year all too soon. I want to take the opportunity to let you all know how much I love you, and realize all of you have in some way contributed to making me who I am today. All the experiences you have been a part of, large or small, have contributed to my painting style, and artistic personality. Thank you, have a beautiful Valentines Day. Karen


I recently posted a blog on abstract painting, and I probably will continue to do this until I’m satisfied with my own abstracts. If you look at me in my studio, I’m always trying to figure out how to balance the kind of look that I really love to see, with the look of realism. There are a few things I really feel have influenced me, and one is the Impressionist movement, such as Van Gough, Monae, to name a few. I also love very abstract like Picasso, or even Motherwell. The question is, can you blend them in such a way that they are fun, and still pleasant to look at. Do they need to be pleasant? Or is it better to leave the viewer with a little uncomfortable feeling? All these things run through my mind while I’m working on what was supposed to be “Really Abstract.”
As I watch these teaching videos, it is obvious that it’s all very subjective. Some artists just love painting non-objective abstract that is busy. To them it tells a story just like this video. Jillian is very much an intuitive abstract painter. Her work is busy, colorful, and she loves it! My son Chris is the same way. His art is all intuitive and in explaining his art, it always has a story to tell. To me it becomes a sometimes a little difficult to digest and understand. Some of it I fall in love with, and some of it, well…….lets just say it’s not my favorite!
We all have our own way of expressing ourselves, and both Jillian, and Chris express in a similar way. Is it wrong? Shouldn’t we all be able to express our creativity the way we wish? Can anyone explain it’s validity besides the artist? It definitely takes a different kind of viewer to appreciate this kind of abstract art, but that doesn’t make it bad, it only makes it different as it should be. It pushes us past our comfort level, and in doing so, we just may become better at our own art. After all, if we were all alike, life would be more than boring, and who would we have conversations about. Isn’t art here to make us think, and stretch ourselves. We can’t grow as painters, or viewers if there isn’t something to learn from……
You must be logged in to post a comment.